But as thee are unrecognized spaces between numbers, there are unrecognized spaces (psychologically invisible) between or within moments, and some of the events of our bodies are ‘too small’ for us to follow, focused as we are in our prime series. These body events actually are ‘infinitesimal but infinite,’ following their own patterns that merge with ours.

There are an infinite number of other ‘alternate’ compositions latent within the [first] note. They were quite as legitimate as the composition that were played, and added silent structure and pacing to the physically actualized music.