Our scientists are correct in supposing that the universe is composed of the same elements that can be found in our plane. However, the elements that they know are, of course, camouflage patterns, that may show themselves in a completely different from somewhere else.

The elements – those that you now know and those you will create – are camouflages of the basic stuff or vitality which you cannot discover with your outer senses. Our scientists will find their tools are no longer adequate. Because man/woman have such a senses of curiosity, scientists will be forced finally to use the inner senses. Otherwise they will be dealing with camouflage only and find themselves in a blind alley – not because their eyes are closed, but because they are not using the right set of eyes.

The camouflage is necessary at this stage of development – intricate, complicated, various and beyond the understanding of the outer senses, which are the preceptor of the camouflage itself, peculiarly adapted to see under particular circumstances. It is only the inner senses that will give us any evidence at all of the basic nature of life.

Since very often the vitality or stuff of the universe seems as innocuous as air, then look for what we do not see. Explore places that seem empty, for they are full. Look between events. What we see clearly with the outer senses is camouflage. I am not suggesting that you take all this on faith. I am saying that what seems vacant lacks camouflage, and, therefore, if this is explored, it will yield evidence.

Effects would seem to be evidence. In concrete terms, if a tree branch moves, then we take it for granted that something blows it. We know wind by its effects. No one has seen wind, but since its effects are so observable, it would be idiocy to say that it did not exist. Therefore, we will come up against the basic stuff of the universe and feel its effects, though our physical senses will not necessarily perceive it.

Granted, camouflage is, in itself, an effect. If we look at the observable world we can learn something about the inner one, but only if we take into consideration the existence of camouflage distortion. There is so much to be said here, and we have so much to learn, that sometimes I have to admit the I’m Appalled.

My own experience with creativity should help here. When I paint a picture, my dear Blog Reader, I am dealing with a transformation of energy and transformation of camouflage pattern. There is a brief but vital moment when I am dealing with the underlying vitality of which I have spoken.

I am forced to transform this creative energy into another camouflage pattern because of our earthly situation. There is nothing else we can do. But for this moment, I pluck this vitality from the inner senses. Then I transform it into a somewhat different, more evocative, new camouflage pattern that is, nevertheless, more fluent, more fluid than the usual pattern, and gives greater freedom and mobility to the vitality itself.I approach a transmigration of plane.

A certain distortion must be expected. The painting, however, achieves a certain freedom from camouflage, although it cannot escape it, and actually hovers between realities in a way that no thoroughly camouflaged object could do. Music and poetry also can achieve this state.